Archives for 2009

Well, it only took a month and a half…

…actually, it took about two weeks of knitting in the evenings and then about a month before I had the opportunity to go to my friend Mel’s to use her superior little machine for felting.  (It’s superior for felting in that it’s a small-volume, aggressive little beast.  Probably not superior for gentle care of clothes, but everyone has their own special talents.)

My hair has gotten significantly longer in the last month and a half, but it still has the flapper-esque look I was going for:

New hat

Pattern: Dietrich, from Twist Collective. Mods on Ravelry.

Early riser

Tosh and I take a short walk every morning at around 5:15 – we move out, with a sense of purpose: just long enough for Tosh to do his doggy business, but just short enough that I don’t freeze in the winter mornings.

The moon was bright this morning.  Not bright enough for me to completely see by (some less-fastidious dog walkers are not as courteous as I would like on our suburban woodland paths), but bright enough to marvel at, especially since it is past full.

Our path brings us into the sheltering woods and then out into an field of sorts – not a mowing field, as we had in the country, but green grass covering a suburban earthworks: a drainage pond fronted by a high, dramatic berm.  But the sky is a field’s sky – it is wide and open.  Coming out of the woods, my eyes played strange tricks on me – the expanse of sky was piebald with dark and light patches, but my brain could not make sense of them immediately.  The dark – clouds?  But the moon was so bright – aha.  The bright was reflection on the clouds against the dark, clear sky.  After this moment of disorientation, I snapped off my light to stand in the freezing air and watch the clouds.

Ever have that moment where you’re looking at a piece of art and you say, “Yes, very pretty – but not realistic.”  And then, months or years later, you see that “unrealistic” thing happen in nature?  Like the deep purple skies of a twighlight Maxfield Parrish painting.  “Maybe on Mars,” you think, “Or a place in a book – I’ll bet Narnia had twighlight skies like that in C.S. Lewis’ imagination.”  And then you’re out on a country road, and the molecules have lined up just right to give you a radiance-drenched, deep purple post-sunset sky right here on Earth?  These clouds were like that.  They looked like anime or the woodblock animations so often used to depict Native American legends.  Stately and stylized, they moved swiftly, like great cutouts of tissue, never changing shape in the predawn sky.

Crazy Aunt Purl: the sanest woman around

I really hate worrying about things I can’t control, and as a general rule I don’t.  So it’s not surprising that I find the following incredibly sane:

The economy doesn’t call me each day to see how I feel about it. If I choose to think about something else, like green beans and herb gardening and vacuuming the house, the economy doesn’t get worse. It doesn’t get better either, in fact I have no control at all over any of this! All I can control is how I choose to see this whole thing. So I am choosing to opt out of all of it. Whatever’s going to happen is going to happen whether I freak out or not.

Truer words were never spoken.

Fun with Metro

When the DC Metro works, it works very well.  When it doesn’t, well, like any other complicated piece of machinery it tends to fail rather spectacularly.

Friday’s commute home started rather normally – I lucked into running directly on to my first train, which is usually a sign that I’ll get home a full five minutes sooner than usual – whooopeeee. Then I manage to get my connection seamlessly as well (can we hope to be home by 20 after five, rather than the usual 30?  Dream big, kid).  Then my train… just sits for a bit at Metro Center, getting more and more full by the passing minute (she who snagged a seat sits and reads Mrs. Astor Regrets* and tries not to feel smug).

At Dupont Circle, we sit again.  And sit.  And then the train driver tells us that, due to a track problem, this particular train won’t probably move for a while.

An HOUR, in fact.

At this point, I make a fast check of my watch and hurl myself off the train as fast as the sardine-packed humanity will allow.  Dupont Circle has an escalator so long it has been known to give my friend Alicia vertigo, and by the time I reach the top of it, I have lined up Mobile Wife Rescue Unit 1 to get me – as long as I can get myself further north than my current position, which would be a real pain to get into and out of at rush hour.  I see a couple of older gentlemen getting into a taxi and ask if they are going north by any chance.  They are, they agree to share their cab with me (sometimes, looking like a dumb blonde can be an asset), and off we go to Bethesda, where John picks me up and takes me home.

*This book is, well – it’s kind of a mess.  The first couple of chapters make the whole point of the book several times – that the aging Brooke Astor was ripped off by her son, that families are still whacko no matter how much money is involved, and that Brooke Astor was a rather complicated person (all huge surprises, you will no doubt agree).  Then the meat of the book starts to bounce back and forth in time, relating anecdotes in an almost random manner that don’t create a very clear or cogent picture of the people involved or how they all converged in a Manhattan courthouse to figure out how a very wealthy woman ended up living in squalor and who should be responsible for her.  It’s as if the writer did a few magazine articles, then decided to write a book and used the magazine articles as her first few chapters, without tailoring them to fit the longer work.  As a result, this book is work for the reader, which is too bad, because it is an interesting story.

Mom thinks we should be able to see the bend from our rear-view mirror

….because we’re that far around it.  This is based on me telling her that John and I made up new words to the Harry Belafonte classic this weekend:

DO-nut

DO-oh-oh-oh-nut.

–daylight come and me want fried bread–

DO-misa-doughmisadough-misado-o-oh-nut

–daylight come and me want fried bread–

Hey mister dunkin-man, fry me up a do-nut.

–daylight come and me want fried bread–

–with glaze!–

Archetypes

Like I said in my last post, I don’t do resolutions.  I also don’t usually find solace or meaning in ceremonies.  The big, grand statements of life do not move me.  The small moments, compounded together – the quiet moments of everyday life when you realize what they have added up to: that’s what creates meaning for me.  Change can happen any day – it doesn’t have to be the first of the year, or a big birthday, or any other artificial point on the calendar.

So why is it that in the first few days of this new year we have rearranged furniture, I have made moves toward brushing up my French, and I have this overwhelming awareness of the fact that I’m turning 40 in a few months?

Oh, and of course, I have had strong thoughts about rejuvenating my barely existent yoga practice.  Naturally.

I don’t do resolutions

So why did I just subscribe to a French-language instructional podcast? Hmmm.